[{"first_name":"Paul","last_name":"Véronèse","avatar_url":"/arts/veronese/Autoportrait.jpg","id":165,"font":"brush","movement_slug":"mannerism","polyptych":1,"frame":2,"url":"/arts/veronese/Les Noces de Cana.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1563,"height_cm":677,"width_cm":994,"color":"#8e6f36","artist_slug":"veronese","copyright":0,"tags":[{"id":49,"name":"Music","slug":"music"},{"id":62,"name":"Religion","slug":"religion"}],"movement":"Mannerism","name":"The Wedding Feast at Cana","info":"\n<p><strong>Oil on canvas</strong> · Biblical subject · Venetian Mannerism</p>\n<p>\n  Painted in <strong>1563</strong> for the refectory of San Giorgio Maggiore in Venice,\n  this monumental canvas transforms the miracle of the Wedding at Cana into a sumptuous Venetian banquet.\n  Architecture, music, crowd, and color create a spectacular scene, emblematic of Veronese’s narrative splendour.\n</p>"},{"first_name":"Grant","last_name":"Wood","avatar_url":"/arts/wood/Autoportrait.jpg","id":692,"font":"brush","movement_slug":"regionalism","polyptych":1,"frame":2,"url":"/arts/wood/Gothique américain.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#fffaa9","artist_slug":"wood","copyright":0,"tags":[],"movement":"Regionalism","name":"Gothique américain","info":"Description is not yet available for this artwork."},{"first_name":"Jérôme","last_name":"Bosch","avatar_url":"/arts/bosch/Autoportrait.jpg","id":684,"font":"renaissance","movement_slug":"northernrenaissance","polyptych":3,"frame":2,"url":"/arts/bosch/Le Jardin des délices_1.jpg","url_2":"/arts/bosch/Le Jardin des délices_2.jpg","url_3":"/arts/bosch/Le Jardin des délices_3.jpg","url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#e2e3c1","artist_slug":"bosch","copyright":0,"tags":[],"movement":"Northern Renaissance","name":"Le Jardin des délices","info":"Description is not yet available for this artwork."},{"first_name":"Léonard","last_name":"de Vinci","avatar_url":"/arts/devinci/Autoportrait.jpg","id":76,"font":"renaissance","movement_slug":"highrenaissance","polyptych":1,"frame":-1,"url":"/arts/devinci/La Cène.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#f5e3cf","artist_slug":"devinci","copyright":0,"tags":[{"id":34,"name":"History","slug":"history"},{"id":62,"name":"Religion","slug":"religion"}],"movement":"High Renaissance","name":"The Last Supper","info":"\n  <p><strong>Wall painting</strong> · Fresco · Italian Renaissance</p>\n  <p>\n    Created between <strong>1495 and 1498</strong>, “<em>The Last Supper</em>” is one of\n    <strong>Leonardo da Vinci’s most ambitious works</strong>, painted on the wall of the\n    <strong>refectory of Santa Maria delle Grazie</strong> in Milan.\n  </p>\n  <p>\n    It depicts the dramatic moment when <strong>Christ announces his impending betrayal</strong>,\n    capturing with exceptional intensity the range of human reactions —\n    from <strong>shock</strong> to <strong>indignation</strong>.\n  </p>\n  <p>\n    This <strong>masterpiece</strong> profoundly shaped the <strong>history of religious art</strong>\n    and continues to <strong>inspire artists and viewers</strong> across the centuries.\n  </p>\n  "},{"first_name":"Sandro","last_name":"Botticelli","avatar_url":"/arts/botticelli/Autoportrait.jpg","id":248,"font":"renaissance","movement_slug":"earlyrenaissance","polyptych":1,"frame":2,"url":"/arts/botticelli/La Naissance de Vénus.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#c7b287","artist_slug":"botticelli","copyright":0,"tags":[],"movement":"Early Renaissance","name":"La Naissance de Vénus","info":"Description is not yet available for this artwork."},{"first_name":"Francisco","last_name":"de Goya","avatar_url":"/arts/degoya/Autoportrait.jpg","id":448,"font":"brush","movement_slug":"romanticism","polyptych":1,"frame":2,"url":"/arts/degoya/Saturne dévorant un de ses fils.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1820,"height_cm":143,"width_cm":81,"color":"#945238","artist_slug":"degoya","copyright":0,"tags":[{"id":50,"name":"Mythology","slug":"mythology"}],"movement":"Romanticism","name":"Saturn Devouring His Son","info":"\n      <p><strong>Mural painting transferred to canvas</strong> · Mythology · Dark Romanticism</p>\n      <p>\n        Painted around <strong>1819–1823</strong> (often dated c. <strong>1820</strong>), this “Black Painting”\n        depicts the titan <strong>Saturn</strong> devouring one of his children, a haunting image of\n        <strong>madness</strong> and <strong>terror</strong>.\n      </p>\n      "},{"first_name":"Johannes","last_name":"Vermeer","avatar_url":"/arts/vermeer/Autoportrait.jpg","id":118,"font":"renaissance","movement_slug":"baroque","polyptych":1,"frame":2,"url":"/arts/vermeer/L'Art de la peinture.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1668,"height_cm":null,"width_cm":null,"color":"#9e857e","artist_slug":"vermeer","copyright":0,"tags":[{"id":3,"name":"Allegory","slug":"allegory"},{"id":38,"name":"Interior","slug":"interior"}],"movement":"Baroque","name":"The Art of Painting","info":"\n<p><strong>Oil on canvas</strong> · Allegory · Artist's studio</p>\n<p>\n  Between <strong>1666 and 1668</strong>, Vermeer painted this allegory of artistic creation — a painter at work before his model.\n  The <strong>meticulous detail</strong> and <strong>mastery of light</strong> make it one of his signature achievements.\n</p>"},{"first_name":"Vincent","last_name":"van Gogh","avatar_url":"/arts/vangogh/Autoportrait.jpg","id":39,"font":"brush","movement_slug":"realism","polyptych":1,"frame":2,"url":"/arts/vangogh/Les Mangeurs de pommes de terre.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1885,"height_cm":82,"width_cm":114,"color":"#4e84a0","artist_slug":"vangogh","copyright":0,"tags":[],"movement":"Realism","name":"The Potato Eaters","info":"\n<p><strong>Oil on canvas</strong> · Genre scene · Nuenen</p>\n<p>\nPainted in <strong>April 1885</strong>, this <strong>programmatic</strong> work exalts the dignity of peasants at table.\nIts austere light and gnarled faces assert an <strong>expressive realism</strong>, the summit of Van Gogh’s Dutch period.\n</p>"},{"first_name":"John Singer","last_name":"Sargent","avatar_url":"/arts/sargent/Autoportrait.jpg","id":1320,"font":"brush","movement_slug":"realism","polyptych":1,"frame":2,"url":"/arts/sargent/Madame X (Madame Pierre Gautreau).jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#f2c582","artist_slug":"sargent","copyright":0,"tags":[],"movement":"Realism","name":"Madame X (Madame Pierre Gautreau)","info":"Description is not yet available for this artwork."},{"first_name":"Diego","last_name":"Velázquez","avatar_url":"/arts/velazquez/Autoportrait.jpg","id":426,"font":"renaissance","movement_slug":"baroque","polyptych":1,"frame":2,"url":"/arts/velazquez/Les Ménines.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1656,"height_cm":318,"width_cm":276,"color":"#5a2e21","artist_slug":"velazquez","copyright":0,"tags":[{"id":10,"name":"Self-portrait","slug":"self-portrait"}],"movement":"Baroque","name":"Les Ménines","info":"\n      <p><strong>Oil on canvas</strong> · Court scene · Spanish Baroque</p>\n      <p>\n        Painted in <strong>1656</strong>, “<em>Las Meninas</em>” is one of Diego Velázquez’s masterpieces,\n        renowned for its <strong>complex composition</strong> and its subtle play of <strong>gazes</strong> and\n        <strong>reflections</strong>, placing the viewer at the heart of the scene.\n      </p>\n      "}]