[{"first_name":"Théodore","last_name":"Géricault","avatar_url":"/arts/gericault/Autoportrait.jpg","id":1249,"font":"brush","movement_slug":"romanticism","polyptych":1,"frame":2,"url":"/arts/gericault/Le Radeau de La Méduse.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#6c2b0d","artist_slug":"gericault","copyright":0,"tags":[],"movement":"Romanticism","name":"Le Radeau de La Méduse","info":"Description is not yet available for this artwork."},{"first_name":"Gustav","last_name":"Klimt","avatar_url":"/arts/klimt/Autoportrait.jpg","id":69,"font":"brush","movement_slug":"artnouveau","polyptych":1,"frame":2,"url":"/arts/klimt/Portrait d'Adele Bloch-Bauer I.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1907,"height_cm":null,"width_cm":null,"color":"#e4c074","artist_slug":"klimt","copyright":0,"tags":[{"id":55,"name":"Gold","slug":"gold"},{"id":60,"name":"Portrait","slug":"portrait"}],"movement":"Art Nouveau","name":"Portrait of Adele Bloch-Bauer I","info":"\n<p><strong>Oil and gold leaf on canvas</strong> · Portrait · Viennese icon</p>\n<p>\n  Completed in <strong>1907</strong>, this sumptuous portrait casts <strong>Adele Bloch-Bauer</strong> as a modern\n  <strong>Byzantine</strong> figure, her face emerging from a <strong>golden field</strong> dense with signs.\n</p>"},{"first_name":"Frederic","last_name":"Leighton","avatar_url":"/arts/leighton/Autoportrait.jpg","id":1300,"font":"brush","movement_slug":"academicart","polyptych":1,"frame":2,"url":"/arts/leighton/June flamboyante.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#e3a775","artist_slug":"leighton","copyright":0,"tags":[],"movement":"Academic Art","name":"June flamboyante","info":"Description is not yet available for this artwork."},{"first_name":"Rembrandt Harmenszoon van","last_name":"Rijn","avatar_url":"/arts/rembrandt/Autoportrait.jpg","id":31,"font":"renaissance","movement_slug":"baroque","polyptych":1,"frame":2,"url":"/arts/rembrandt/La Ronde de nuit.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1642,"height_cm":379.5,"width_cm":453.5,"color":"#654a2d","artist_slug":"rembrandt","copyright":0,"tags":[{"id":34,"name":"History","slug":"history"}],"movement":"Baroque","name":"The Night Watch","info":"\n<p><strong>Oil on canvas</strong> · Militia scene · Dutch Baroque</p>\n<p>\n  Completed in <strong>1642</strong>, this monumental composition—known as the\n  <em>Night Watch</em>—depicts the company of Captain Frans Banning Cocq.\n  Rembrandt breaks with static group portraiture through <strong>dynamic composition</strong>\n  and <strong>dramatic lighting</strong>, transforming the civic militia into a living tableau.\n</p>"},{"first_name":"Hans","last_name":"Holbein le Jeune","avatar_url":"/arts/holbeinlejeune/Autoportrait.jpg","id":1255,"font":"renaissance","movement_slug":"northernrenaissance","polyptych":1,"frame":2,"url":"/arts/holbeinlejeune/Les Ambassadeurs.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#d3ae60","artist_slug":"holbeinlejeune","copyright":0,"tags":[],"movement":"Northern Renaissance","name":"Les Ambassadeurs","info":"Description is not yet available for this artwork."},{"first_name":"Rembrandt Harmenszoon van","last_name":"Rijn","avatar_url":"/arts/rembrandt/Autoportrait.jpg","id":32,"font":"renaissance","movement_slug":"baroque","polyptych":1,"frame":2,"url":"/arts/rembrandt/La Tempête sur la mer de Galilée.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1633,"height_cm":160,"width_cm":128,"color":"#654a2d","artist_slug":"rembrandt","copyright":0,"tags":[{"id":62,"name":"Religion","slug":"religion"},{"id":43,"name":"Sea","slug":"sea"}],"movement":"Baroque","name":"The Storm on the Sea of Galilee","info":"\n<p><strong>Oil on canvas</strong> · Biblical seascape · Dutch Baroque</p>\n<p>\n  Dated <strong>1633</strong>, this is Rembrandt’s only known <strong>marine painting</strong>,\n  depicting Christ calming the storm. The dramatic waves, chiaroscuro, and tension in the apostles’\n  faces convey the <strong>spiritual power</strong> of the event. The work was stolen in\n  <strong>1990</strong> from the Isabella Stewart Gardner Museum and remains missing.\n</p>"},{"first_name":"Vincent","last_name":"van Gogh","avatar_url":"/arts/vangogh/Autoportrait.jpg","id":42,"font":"brush","movement_slug":"postimpressionism","polyptych":1,"frame":2,"url":"/arts/vangogh/Terrasse du café le soir.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1888,"height_cm":80.7,"width_cm":65.3,"color":"#4e84a0","artist_slug":"vangogh","copyright":0,"tags":[{"id":76,"name":"Urban","slug":"urban"}],"movement":"Post-Impressionism","name":"Café Terrace at Night","info":"\n<p><strong>Oil on canvas</strong> · Nocturnal city view · Arles</p>\n<p>\n  Painted in mid-<strong>September 1888</strong>, this night scene uses no black, balancing\n  <strong>yellows</strong>, blues, and violets. The lit terrace on the <strong>Place du Forum</strong>\n  becomes a stage of light.\n</p>"},{"first_name":"Paul","last_name":"Véronèse","avatar_url":"/arts/veronese/Autoportrait.jpg","id":165,"font":"brush","movement_slug":"mannerism","polyptych":1,"frame":2,"url":"/arts/veronese/Les Noces de Cana.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1563,"height_cm":677,"width_cm":994,"color":"#8e6f36","artist_slug":"veronese","copyright":0,"tags":[{"id":49,"name":"Music","slug":"music"},{"id":62,"name":"Religion","slug":"religion"}],"movement":"Mannerism","name":"The Wedding Feast at Cana","info":"\n<p><strong>Oil on canvas</strong> · Biblical subject · Venetian Mannerism</p>\n<p>\n  Painted in <strong>1563</strong> for the refectory of San Giorgio Maggiore in Venice,\n  this monumental canvas transforms the miracle of the Wedding at Cana into a sumptuous Venetian banquet.\n  Architecture, music, crowd, and color create a spectacular scene, emblematic of Veronese’s narrative splendour.\n</p>"},{"first_name":"John Singer","last_name":"Sargent","avatar_url":"/arts/sargent/Autoportrait.jpg","id":1319,"font":"brush","movement_slug":"realism","polyptych":1,"frame":2,"url":"/arts/sargent/Madame X (Madame Pierre Gautreau).jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":null,"height_cm":null,"width_cm":null,"color":"#f2c582","artist_slug":"sargent","copyright":0,"tags":[],"movement":"Realism","name":"Madame X (Madame Pierre Gautreau)","info":"Description is not yet available for this artwork."},{"first_name":"Claude","last_name":"Monet","avatar_url":"/arts/monet/Autoportrait.jpg","id":92,"font":"brush","movement_slug":"impressionism","polyptych":1,"frame":2,"url":"/arts/monet/Impression, soleil levant.jpg","url_2":null,"url_3":null,"url_4":null,"url_5":null,"gap_1":null,"gap_2":null,"gap_3":null,"gap_4":null,"gap_5":null,"custom_css":"art-default","year":1872,"height_cm":null,"width_cm":null,"color":"#b5c4d9","artist_slug":"monet","copyright":0,"tags":[{"id":43,"name":"Sea","slug":"sea"}],"movement":"Impressionism","name":"Impression, Sunrise","info":"\n<p><strong>Oil on canvas</strong> · Port of Le Havre · Founding work</p>\n<p>\n  Dated <strong>1872</strong>, this view of the <strong>Port of Le Havre</strong> gave its name to Impressionism.\n  The <strong>vibrations of sky</strong> and water capture light rather than form.\n</p>"}]